#Moca museum amsterdam generator

Mike Kelley at MOCAДЄs of KelleyвЂ™s first exhibition at MOCA, the museum has acquired 37 of his pieces, all included in over 20 exhibitions. He created his artwork with an uncompromising exploration of self and the surrounding society, exhibiting a psychedelic, bewildered and bleak nature of both. This exhibition is made possible with financial support from the Mondriaan Fund and the Andy Warhol Foundation for the Visual Arts.Mike Kelley is known as one of the most important figures in contemporary art, who conjured up a widely influential oeuvre rendering the American pop culture and both modernist and alternative traditions alike. He is currently represented by Denk Gallery in Los Angeles. His work has been positively reviewed by The New York Times, Art in America, ArtForum, and Sculpture Magazine, and his work can be found in public and private collections including the Centre for Visual Arts, The Netherlands GEM Museum of Contemporary Art, The Netherlands The Margulies Collection, Miami Cornell University LACMA and Saatchi.

Louis and Shape of Things to Come: New Sculpture at Saatchi Gallery, London. His work has been included in notable group exhibitions including After Picasso: 80 Contemporary Artists at the Wexner Center for the Arts Cryptic: The Use of Allegory in Contemporary Art at the Contemporary Art Museum, St. Recent solo exhibitions of his work have been presented at James Cohan Gallery, NYC Musee dвЂ™Evreux, France Middelheim Museum Antwerp, Belgium Mudam Modern Art Museum, Luxembourg Portland Art Museum Mackintosh Museum Glasgow, Scotland Musas Museo de Arte de Sonora, Hemosillo, Mexico Wadsworth Atheneum Museum, Hartford and the Hudson Valley Center for Contemporary Art. Folkert de Jong notes that вЂњif we do not see ourselves as one in a vulnerable world, we will be the generation that is responsible for initiating the end of humanity.вЂќ This critical exhibition serves as a reminder that in war there are no winners, only losers, while simultaneously raising awareness to the imperialist historical baggage of torture, violence, and hatred.ДЇolkert de Jong was born in 1972 in Egmond aan Zee, The Netherlands and lives and works in Amsterdam. These works illustrate how monuments serve as markers to memorialize, summarize, and often valorize conquest.

#Moca museum amsterdam generator

His tongue-in-cheek references to monumentalism and its lasting and devastating effects are seen via the outdoor sculptures вЂњQueen MaryвЂќ and вЂњSpiritual Generator 2вЂќ, as well as his installation вЂњTotemismвЂќ which includes monuments of Sukarno, George Washington, and HernГЎn CortГ©s. Through various tableaus, de Jong discusses how violence becomes neutralized over time.

De Jong notes that вЂњthe Dutch seem to be very proud of their historical conquests.вЂќ Last Nation speaks to a world in which the dispossessed are still experiencing pain, a world in which the manufacture of theft and the political economy of stealing creates territories of containment. Last Nation discusses themes of power, economy, politics, war, and ecology, often utilizing humor to make these topics accessible to wide audiences, ultimately creating a balance between the lightness of materials and colors with the gravity of the historical narrative. This exhibition features notable sculptures, installations, and paintings from the artistвЂ™s oeuvre, exploring the recurring self-destructive tendency of humanity. Frequently referencing figures and dress of Old Dutch Masters, de Jong bears witness to traumatic events and invites viewers to share with him in the acknowledgment of the horrors of war and subjugation. In this mid-career retrospective at MOCA Tucson, Folkert de Jong explores themes of global conquest, particularly events tied to The Netherlands yet mirrored and understood within a U.S.